The portrait masters – the lighting series download torrent

It flopped. EMI destroyed most of these. The rarest Beatles export album, with an Odeon label and Odeon sticker on the rear of the Apple sleeve. How many of these were removed by punters at the time, not thinking that they were devaluing their inheritance? Bowie expected this single — his first for Mercury — to chart, but coming eight months after his space novelty, it sold a mere copies. This Irish pressing of the single is utterly, hideously rare.

Decca rejected it, so the band pressed up these test pressings in a handmade sleeve. They split in A track like Blindness opens with a lovely organ fugue before oozing into backwater Floyd. Did zilch in the UK. A pressing plant experiment on red vinyl with three or four known copies. If I was there I would come and see you. This solitary copy survived. Back in I asked if anyone has seen one of these promotional padded sleeve editions. A dealer came forward with a copy of the album in what looked like a padded silk frame.

If authentic, it would probably be one of the rarest Stones promos. Starr and designer Robin Cruickshank entered a business partnership to design and market steel and glass furniture. The Bopping Elf won. This price is for either test pressing or the labels — not both together. This press kit launched the first four Apple singles. This price is for rarer sets in matt plastic boxes rather than the more common card ones. These test pressings have OCTO 1 in the run-out groove.

Cochran was 16 when he recorded this song about falling in love with a shop assistant. Time has not curbed its drive. The Low Road is an average ballad, but the souped-up flip could give you palpitations. Six copies are known to exist. This LP hardly sold and is now one of the top 70s rarities. These test pressings exist. A handful of copies in finished picture sleeves that credit Independence Day as the B-side.

When officially released in February , the B-side was changed to Be True. Only 50 finished sleeves in the smaller format are thought to have been made. EMI had to contract Beatles pressings out to other companies to meet demand. In the wake of the film and the first landing on the moon, Philips thought that they had a hit on their hands.

This item seems to suggest that there were plans to launch the record in an eye-catching picture sleeve, which was uncommon for UK singles at the time. It was subsequently issued in mono and went Top 5. There are only two known copies in circulation of six cut. This Northampton band, led by Steve Giles on guitar and vocals, found it hard to make headway performing original material.

Giles took Dark into a studio in April , but when they went back for five days in the line-up had changed to Giles, Ron Johnson bass , Clive Thorneycroft drums and Martin Weaver guitar. This second version of the record is limited to eight copies and comes in a black-and- white handmade gatefold sleeve, some containing a booklet. US copies are cheap, but there are only a handful of UK pressings. They were especially reticent when Lennon submitted the naked photo he wanted to use for the cover.

Most of these mono copies were destroyed when Lennon demanded that the record be remixed in stereo. Lazy Day and a follow-up did not hit, and album sessions were halted after eight songs. The band was dropped by Decca. Run time: 05min 19sec. Shooting in the jungle of Borneo. Watch David climbing through the mangroves to get an exceptionally close shot of an orangutan.

Run time: 08min 38sec. How do you create an eye-catching shot of a hippo? Watch David photographing Dexter! One of the most important jobs of a fine-art photographer is to find ideas. David explains how he does it. Run time: 07min 03sec. Choose your location for the wildlife you want to photograph and not the other way around.

David is in Amboseli, Kenya to photograph big elephants and giraffes. Run time: 09min 22sec. David tells us which lenses and equipment he uses and his reasons for doing so. Run time: 05min 37sec. David works from the cage and directs his team to compose action shots of lions and a black leopard.

Run time: 07min 47sec. Run time: 12min 58sec. How do you create a pastiche by combining two photos, from two different locations on two different days? Run time: 06min 47sec. Run time: 06min 59sec. David tells us his 4 key rules for composition: foreground subject, rule of thirds, negative space and tension points. Run time: 09min 28sec. David discusses his preference for working in black and white including business, artistic, and romantic reasons.

Run time: 06min 45sec. David works with post production specialists, BowHaus in L. David and BowHaus co-founder, Joe, sit together to discuss and work on a photograph with Cindy Crawford. Run time: 10min 52sec. Joe explains how BowHaus process the file in Photoshop and prepare to print in a very large format. Run time: 05min 14sec. Run time: 07min 17sec. Watch the BowHaus team prepare the enormous printed photograph to be set in the high quality frame.

He wants the main elements of the image to be precisely in focus. Run time: 04min 13sec. David works with Cindy Crawford on a shoot with a large wolf. The proceeds of the sale of the image will go to her charity. David checks the photograph before signing and dating it, as a limited edition. Run time: 08min 54sec. David gives his advice on how to make money from art photography and on how to work with galleries. Run time: 07min 31sec.

David considers his books as a way to build a brand, and as a way to make his art available to the wider public. The proceeds of his latest book go to charity. Run time: 05min 41sec. David says thank you and goodbye to all who have followed the course and imparts some final words of wisdom. Run time: 01min 15sec.

David wraps up a shoot in Kenya. He discusses the need to set the bar very high and that from all the photographs he has taken during the week, only one or two will make the cut.

Run time: 04min 10sec. Sign Up to Watch Right Now. Sign up now. Your content goes here. Edit or remove this text inline or in the module Content settings.

You can also style every aspect of this content in the module Design settings and even apply custom CSS to this text in the module Advanced settings. Founder and filmmaker, Chris Ryan, explains how Masters of Photography came into existence. He discusses his desire to find out how the great masters create their own images and to create a platform for anyone to have the experience of learning side by side with a Master of Photography.

Masters of Photography is an education platform and a resource for photographers. Our courses the masterclasses and discovery classes are for anyone who wants to learn from some of the most highly regarded and influential photographers in the world in order to elevate their own photography.

If you want to learn why not learn from the best? The Masters themselves study the works of the greats. The classes have been designed to be suitable for all levels of experience.

Level 2 7. In this class, legendary illustrator Mark Westermoe teaches figure drawing using the Reilly Method. Students will learn how to lay-in the figure, how to simplify and design the anatomy, and how to use light, shadow, and edge control 8.

Students will learn how to lay-in the figure, how to simplify and design the anatomy, and how to use light, shadow, and edge control 9. Students will learn how to lay-in the figure, how to simplify and design the anatomy, and how to use light, shadow, and edge control In this 5th lesson, Mark will continue rendering the head drawing from the previous lesson by introducing new pencil and sketching techniques.

He will In this 6th lesson, Mark will go over the Reilly Head Abstraction in detail and analyze selected master works of Matania. He will then demonstrate In this 7th lesson, Mark will continue the hand drawing from the previous lesson by showing how to properly introduce shape and shadow to In this 8th lesson, Mark will demonstrate how to properly render a full female figure by carefully spacing and placing the initial lay-in.